January 16, 2011 - Second Sunday in Ordinary Time
Commenting on 1 Corinthians 1.2:
... ἡγιασμένοις ἐν Χριστῷ Ἰησοῦ, κλητοῖς ἁγίοις ...
... to those who are sanctified in Christ Jesus, saints by calling ...
here is a passage from "The Way of the Heart" (pp. 34-35):
is to live by the Spirit who is already deep into our lives (Cf. Gal 5:25). This Pauline passage may well witness the law of Christian life becomes what you are. " Everything has already won, but everything must be earned. Abolish, theoretically or practically one of these poles means distorting the Christian life. If all I was not already donated, then salvation is the result of my action. If everything is not to conquer, then this saving is reduced to something formal, external, of the conventional, which is not really mine, I did not change in depth, perhaps a diagnosis, for which it is sufficient that I know of be saved to be saved, perhaps even this, because they are still saved. In the tradition Christian, the two measures - divine and human - are not alternatives (this or that, this is more, less is), but correlative, they are: one raises the other. Because it is the awareness of gratuitous benevolence of God who seeks my freedom and my ability to respond adequately. No other force than this, which is the Holy Spirit, the movement that occurs when the two poles in contact, might be able to transform myself. The discovery dell'avvolgente gratuity of God (cf. Is 61:10) is the only suitable engine of the spiritual path. Therefore, we must "trust in God as if everything depended on him, and work as if everything depended on us."
Monday, January 10, 2011
Thursday, January 6, 2011
Compilation Huge Facials
It's about time someone answered clearly
"Innocent Christians have been killed in the Church of Our Lady of Salvation in Baghdad at the hands of terrorists who were shouting the name of God and reciting verses from the Koran. Copts were killed in New Year's Day in Alexandria at the hands of fundamentalists carrying out the will of their Allah.
This is the disease, resides in this way of interpreting Koranic precepts. But in this same disease is its cure.
A rising number of massacres against Christians that terrorists are committing are religiously and Islamically acceptable? Their Koranic verses, their arguments are based on doctrinal truth? These terrorists are real Muslims? These are questions that need answers , because in their persuasive answer is the key to stopping food or even more rivers of blood spilled. "
"Innocent Christians have been killed in the Church of Our Lady of Salvation in Baghdad at the hands of terrorists who were shouting the name of God and reciting verses from the Koran. Copts were killed in New Year's Day in Alexandria at the hands of fundamentalists carrying out the will of their Allah.
This is the disease, resides in this way of interpreting Koranic precepts. But in this same disease is its cure.
A rising number of massacres against Christians that terrorists are committing are religiously and Islamically acceptable? Their Koranic verses, their arguments are based on doctrinal truth? These terrorists are real Muslims? These are questions that need answers , because in their persuasive answer is the key to stopping food or even more rivers of blood spilled. "
Friday, December 3, 2010
Mkv Extension Undf Troubleshoot
Testori and The Betrothed, or faith as a way of salvation
The theater stages itself. Through the use of the" theater of Theatre, Giovanni Testori offers his reading of the famous masterpiece of Manzoni. A theater company stages The Betrothed, and the rehearsal becomes evidence not only of that text, but of life. Because the theater is the word you a reality, meat and life, and therefore testing and verification of the written word. The key dynamics identified by Testori is that of power. It is a taste for the power to set in motion, the arrogance Don Rodrigo, the whole story. But this is a taste properly grasped in the spiritual root. This is the same at the end of the rebellion of Satan, who claim to impose God's own terms, putting him in his service. In this sense, the squire of the seventeenth century English man icon becomes "very modern", which reflects true innovator in an age that denies God to affirm man. Even the Unnamed is captured (not told of his conversion) in the fascinating and deadly giddiness of a pond that yearns to expand enormously to become, an exaltation of nell'offuscamento destructive sea. The medal has unlimited necessarily another side of self: the oppression (Possibly deletion) of the other. What stands out particularly evident in the case of the nun of Monza, Testori character which gives great prominence. His misfortune is in fact given rise to an act of power by his parents, who for reasons of social force her to the convent. She is already "illegal" (illegal, we would say today) in the womb, and in this condition will last for a lifetime. Being born and living under the sign of a force that imposes itself, shouts against Providence, reacting as it can and entering illegally. After all questions only to "be herself". But even this road - one of the slogans indisputable, true secular dogma of our time, Testori that does not fail to mock - is illusory. A few even here we are ultimately faced with a self-affirmation, albeit losing, to the detriment of the other. No, the road is another, and Lucia is represented by the common people: faith, which emerges as a true salvation. In this drama of "domestic infinity" in this adventure of a humble people and things at home, it is clear the desire of the human spirit to overcome its own limits, and it dawns dawn. In the light begins to illuminate the places of everyday life can be glimpsed the true way all'autotrascendimento: not self-assertion, but self-reliance in the hands of God who "humbles the proud and exalts the humble." Important reading a large text.
23 to 28 November 2010, Teatro Metastasio (Prato), The Betrothed At trial, Giovanni Testori, directed by Federico Tiezzi.
The theater stages itself. Through the use of the" theater of Theatre, Giovanni Testori offers his reading of the famous masterpiece of Manzoni. A theater company stages The Betrothed, and the rehearsal becomes evidence not only of that text, but of life. Because the theater is the word you a reality, meat and life, and therefore testing and verification of the written word. The key dynamics identified by Testori is that of power. It is a taste for the power to set in motion, the arrogance Don Rodrigo, the whole story. But this is a taste properly grasped in the spiritual root. This is the same at the end of the rebellion of Satan, who claim to impose God's own terms, putting him in his service. In this sense, the squire of the seventeenth century English man icon becomes "very modern", which reflects true innovator in an age that denies God to affirm man. Even the Unnamed is captured (not told of his conversion) in the fascinating and deadly giddiness of a pond that yearns to expand enormously to become, an exaltation of nell'offuscamento destructive sea. The medal has unlimited necessarily another side of self: the oppression (Possibly deletion) of the other. What stands out particularly evident in the case of the nun of Monza, Testori character which gives great prominence. His misfortune is in fact given rise to an act of power by his parents, who for reasons of social force her to the convent. She is already "illegal" (illegal, we would say today) in the womb, and in this condition will last for a lifetime. Being born and living under the sign of a force that imposes itself, shouts against Providence, reacting as it can and entering illegally. After all questions only to "be herself". But even this road - one of the slogans indisputable, true secular dogma of our time, Testori that does not fail to mock - is illusory. A few even here we are ultimately faced with a self-affirmation, albeit losing, to the detriment of the other. No, the road is another, and Lucia is represented by the common people: faith, which emerges as a true salvation. In this drama of "domestic infinity" in this adventure of a humble people and things at home, it is clear the desire of the human spirit to overcome its own limits, and it dawns dawn. In the light begins to illuminate the places of everyday life can be glimpsed the true way all'autotrascendimento: not self-assertion, but self-reliance in the hands of God who "humbles the proud and exalts the humble." Important reading a large text.
23 to 28 November 2010, Teatro Metastasio (Prato), The Betrothed At trial, Giovanni Testori, directed by Federico Tiezzi.
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